The color of autocrats
By Thom Hartmann
- Grand
Construction Projects: Trump is focused on gold decorations, marble
columns, triumphal arches, and massive ballrooms, prioritizing them over
issues like healthcare, inflation, and housing.
- Historical
Parallels: Similar to Hitler, Mussolini, Stalin, Ceaușescu, and Louis XIV,
these projects aim to impress, dominate, and create a personal legacy
through monumental architecture.
- Threat
to Republican Ideals: By turning the White House and DC into symbols of
his personal power, Trump challenges the founders’ vision of a modest
republic where government serves the people, not glorifies a ruler.
Trump is trying to get his construction projects done before
Democrats can stop him when they take control of Congress in two months after
last night’s spectacular victories. There’s an urgent reason for that, from his
perspective.
Monday afternoon, on the eve of the midterm election, Trump
stood at the Lincoln Memorial Reflecting Pool and delivered his closing
argument.
But instead of talking about healthcare, inflation, housing
costs, education, or the challenges working families and farmers are facing as
the result of his and the GOP’s policies, he went off on an extended, rambling
rant about fountains, marble, the “arch,” and his other construction projects.
And, repeatedly, about Corinthian columns.
What’s going on here?
Just ridiculing this as “arts and crafts” misses an
enormously important aspect of what Trump’s up to; this isn’t simply the vanity
of a former real estate developer who likes shiny stuff.
Historians will tell you that there’s a long and disturbing
history of brutal authoritarian leaders, particularly fascists, being obsessed
with architecture, massive construction projects, and remaking capital cities
in their own images.
— Adolf Hitler was obsessed with architecture; he spent
countless hours with Albert Speer planning the transformation of Berlin into
“Germania,” a gigantic imperial capital with buildings designed to dwarf
anything built by previous civilizations. His proposed People’s Hall would have
a dome nearly 1,000 feet high: Hitler wanted buildings so massive that ordinary
human beings would feel insignificant standing before them, buildings that
would last like the monuments of ancient Rome.
— Benito Mussolini did the same thing in Italy, demolishing
historic neighborhoods in Rome to construct grand avenues and massive
government buildings; he was deliberately invoking the architecture of the
ancient Roman Empire, saying his fascist regime was the rebirth of Rome’s
long-lost “greatness.” Future generations, he said, would see his buildings and
remember his name and its imprint on the Eternal City.
— Joseph Stalin, who called himself a communist but ruled
like a fascist, planned an enormous Palace of the Soviets featuring a gigantic,
larger-than-life statue of Lenin.






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